Reading this article, it reminds me of the phenomenon of bad money driving out good in digital artifacts. The early projects that truly accumulated cultural archives—like DOGE and PEPE—are valuable because of their historical dimension. Now, these five-day quick-frozen token factories, to put it plainly, have lost any archival significance. Perhaps only when someone in the crypto circle is truly willing to review project histories like antique appraisal will the ecosystem be truly revived.